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Você está assistindo: Moça com brinco de pérola pintura

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Moça alcançar brinco de pérola denominações a obra mais famosa de Vermeer. Que se comporte-se de um retrato, mas de um ‘tronie’, uma pintura de uma figaro imaginária. Os ‘tronies’ descrevem absolutamente tipo de personagem; esse caso, ns garota alcançar uma vestimenta exótica, usado um turbante orientais e uma pérola improvavelmente grande em seus orelha.

Johannes Vermeer adquirindo o hierárquico da luminosidade. Isso é visto aqui na suavidade da enfrentar da moça e nós reflexos de brilhando em deles lábios úmidos. E, é claro, no parecer da pérola.


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A young woman looks over she shoulder in ~ us. She holds her head contempt to uma side, there is der gleam in her greyish-blue eyes, e her lips ser estar slightly parted and moist. On her head is a turban that she has actually wound from two pieces of material, one blue e one yellow, e she is adorned with a pearl earring. The is a partir de this overlapping jewel in the middle of the composition that ns painting start its title.The painting provides a rich sample that every aspect of Vermeer’s virtuoso paint technique. The face is modelled really softly, no in an excellent detail yet with gradual transitions and invisible brushstrokes. A clothing is depicted more schematically e enlivened with small dots the paint arguing reflected irradiate – 1 of Vermeer’s trademark features. Even so, a artist has clearly indicated differences in between materials – para instance between a white collar, painted in impasto, e the drier repaint of ns turban, for which that used a precious colours ultramarine. But a most remarkable detail is a pearl. This is composed of little more than two brushstrokes: a bright highlight at top left and the soft reflection of a white collar on a underside.Seventeenth-century Dutch girl did no wear turbans. Com this accessory Vermeer has provided the girl an uma asiática air. Images like this were known in a seventeenth century as tronies. Tronies estão not portraits: castle were no made in order to produce a best feasible likeness of an individual. Although there would most likely be der sitter, a point of a tronie foi ~ mainly come make der study of naquela head representing a particular personality or type. Rembrandt had actually popularised tronies in Dutch art around 1630. That made dozens the them, frequently using himself as the model, sometimes wearing naquela remarkable lid or der helmet. The pérola is too huge to be real. Maybe the garota is wearing a pearl drop make of glass, which has been varnished to offer it a matte sheen. One more possibility, the course, is that the pérola was naquela product that Vermeer’s imagination. Ships – both real and imitation – were stylish in ns period a partir de about 1650 to 1680. Us often discover them in paints by Frans van Mieris, gabriel Metsu e Gerard possua Borch.Girl with naquela Pearl brinco has been known to the normal public apenas um since 1881, once it was put up for auction at the Venduhuis der Notarissen in the Hague. On a viewing work it attracted ns attention of the influential cultural official vencedora de Stuers, who foi ~ there together com his friend e neighbour, the artes collector A.A. Do Tombe. Tradition has it that also though the painting had been bad neglected, De Stuers recognised it as a Vermeer. De acordo com to der different variation of ns story, the painting was too dirty come be properly appraised, and the painter’s identity apenas um became clear later on on, when a cleaning operation revealed his signature. Whatever ns case might be, De Stuers and Des Tombe agreed not to bid versus each other, and Des Tombe therefore acquired a painting ao the negligible sum of dois guilders add to thirty cent mark-up.Des Tombe’s collection, which had works through contemporaries as well as old masters, era open to tourists at his home, in ~ Parkstraat 26 in ns Hague. The future director of a hcdnn.com, Abraham Bredius, foi ~ the primeiro to extol ns virtues of garota with der Pearl brinco when he witnessed it at Parkstraat in 1885: ‘Vermeer overshadows tudo the rest; the girl’s head, for this reason superbly modelled that uma is almost inclined to forget uma is feather at a painting, e that single gleam the light, will certainly alone organize your attention’. When he died, top top 16 December 1902, des Tombe turned o fim to have actually made a secret will certainly bequeathing twelve paintings to the hcdnn.com, including girl with der Pearl Earring.(this is a reworked variation of a text published in in: P. Van naquela Ploeg, Q. Buvelot, royal Picture collection hcdnn.com: naquela princely collection, a Hague 2005, pp. 256-258)
artista posição data nome do sujeito consistência de inventário Em exibição em
Johannes Vermeer (Delft 1632 - 1675 Delft)
Moça com brinco de pérola
1665
painting
670
Sala 15

Origem

(?) Pieter Claesz van Ruijven, Delft, prior to 1674; (?) his widow, maria de Knuijt, Delft, 1674-1681; (?) your daughter amante van Ruijven, e Jacob Dissius, Delft, 1681-1682; (?) Jacob Dissius (with his dad Abraham Dissius, 1685-1694), Delft, 1682-1695; Dissius sale, Amsterdam, 16 may 1696, lot 38 (f36,-), 39 (f17,-) or 40 (f17,-); Braams sale, the Hague, 1881 (day e month unknown) (f2,30 to morte Tombe); A.A. Des Tombe, ns Hague, 1881-1902 (on loan to a hcdnn.com in 1881); bequest of Arnoldus Andries des Tombe, ns Hague, 1903




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